Kalita Wave MI Ceramic Dripper (Sand Brown)
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The Kalita MI Ceramic Dripper takes the flat-bottomed Wave design that so many of us brew on every day and has it made by hand in Dachi, a pottery town in Toki, Gifu Prefecture. Toki sits within the Tono region, the heartland of Mino-yaki, a ceramic tradition stretching back around 1,300 years, and every dripper carries a DACHI stamp on its base to show where it was made. In Sand Brown, the glaze settles into a warm, earthy tone somewhere between toasted clay and cocoa, a grounded colour that feels at home next to a wooden counter and a bag of freshly roasted beans.
Under the glaze it is still a Kalita Wave, which is exactly the point. The flat bed and three outlet holes keep extraction even, and the 20 folds of a Wave filter hold the paper away from the walls so water moves through the coffee rather than around it. What has changed is underneath: Kalita has opened the holes up by 2mm compared with the standard Wave, which it says makes flavour and aroma easier to draw out. In practice, that gives a steadier, more forgiving drawdown that is less prone to the stalling Wave brewers know all too well. Expect it to run a touch quicker than a standard ceramic Wave on the same recipe, and nudge your grind finer if you want to claw that time back. As with any ceramic brewer, a good rinse with hot water before you brew warms the body and keeps your slurry temperature where you want it.
The body carries a Yohen glaze, a kiln-transformation finish that shifts colour as it fires, so no two drippers come out quite the same; the foot is left unglazed, showing the raw, matte clay underneath. Choose the 155 for a single mug or the 185 if you regularly brew for two or want headroom for bigger doses. Pair it with Kalita Wave filter papers in the matching size and a Kalita Wave Glass Server, or take a look at the Sand Grey version if you prefer a cooler tone.
Serving straight from the dripper? The Kalita Jug 400 Glass Coffee Server suits a 155 brew, while the Kalita Jug 500 Glass Coffee Server takes a full 185 brew with room to spare. Explore our full Kalita brewing collection for more kit, including the Kalita Wave stainless steel dripper and the Kalita Wave glass dripper. New to brewing with Kalita? Our Kalita Wave brew guide will help you get started.
Specifications
- Brand: Kalita
- Model: MI (Mino-yaki) Wave dripper
- Colour: Sand Brown
- Material: Mino-yaki pottery with Yohen glaze, unglazed foot
- Made in: Dachi, Toki, Gifu Prefecture, Japan
- Brew style: flat-bottom pour-over, three outlet holes (2mm larger than the standard Wave)
- Filters: Kalita Wave 155 or 185, to match dripper size
- Capacity: 155 for 1 to 2 cups; 185 for 2 to 4 cups
- Dimensions (approx.): 155, 100 x 120 x 70mm; 185, 115 x 145 x 80mm
- Weight: 155, 215g; 185, 277g
- Care: hand wash only; not dishwasher safe; not for use on a hob, in an oven or on induction
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Should I choose the 155 or the 185?
The 155 is built for one: a single mug, typically brewed with around 12 to 20g of coffee. The 185 has a wider bed and more height, so it comfortably handles around 20 to 30g and is the better pick if you brew for two or like a big morning cup. If you are unsure, the 185 is the more flexible of the two.
Which filter papers does it use?
Kalita Wave filters in the matching size: 155 papers for the 155 dripper and 185 papers for the 185. Cone filters will not sit properly in the flat bed. We stock both sizes, boxed and bagged, in our Kalita Wave filter papers listing.
How is the MI different from other Kalita Wave drippers?
The brewing geometry is the same flat-bottomed, three-hole Wave, but the MI is handmade Mino-yaki pottery rather than glass or steel, and Kalita has made its outlet holes 2mm larger than the standard Wave to help release flavour and aroma. If you want something lighter and more robust for travel, the Kalita Wave Stainless Steel Dripper is the one to look at; the Kalita Wave Glass Dripper is the most affordable way into the Wave system.
Does the MI brew faster than a standard Kalita Wave?
A little. The larger outlet holes let water leave the bed slightly more freely, so on the same recipe you can expect a marginally quicker finish than a standard ceramic Wave. The bigger difference is consistency: the flow stays steadier and is less likely to stall, which makes the MI a forgiving dripper to dial in. If your brews start finishing early, go a step finer on the grinder.
What recipe should I start with?
Our Kalita Wave brew guide has step-by-step recipes for both sizes: 15g of coffee to 250g of water at 93°C for the 155, and 30g to 500g for the 185, with full pour timings and tips for adjusting your brew. Because the MI drains a touch more freely than a standard Wave, expect to land at the quicker end of the guide's brew times; if it runs faster still, go a step finer on the grinder.
What is the difference between Sand Brown and Sand Grey?
Only the colour. Both are the same handmade MI dripper with identical sizes, holes and filters. Sand Brown is the warmer, earthier of the two; if you prefer a cooler, stony tone, take a look at the Kalita MI Ceramic Dripper in Sand Grey.
Will my dripper look exactly like the photos?
Not quite, and that is part of the appeal. The Yohen glaze changes colour as it fires, so shade and depth vary from piece to piece, and as a handmade item you can expect small variations in glaze and finish. None of this affects how it brews.
Is it dishwasher safe?
No. Wash it by hand with a little washing-up liquid and a soft sponge, avoiding abrasive scourers and cream cleaners, and let it dry fully before putting it away. Avoid leaving it to soak for long periods, as pottery can absorb water and staining.
Do I need to preheat it?
We would recommend it. Ceramic pulls heat out of your brew water until it warms up, so pour hot water through the filter paper and dripper before adding coffee. It rinses any papery taste from the filter at the same time; just discard the rinse water before you brew.
What does the DACHI stamp on the base mean?
It marks the dripper as made in Dachi, a pottery town in Toki, Gifu Prefecture, and part of Japan's Mino-yaki ceramic tradition.
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